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The best known farce is La Farce de maître Pathelin (The Farce of Master Pathelin) from c. 1460. [3] Spoof films such as Spaceballs, a comedy based on the Star Wars movies, are farces. [4] Sir George Grove opined that the "farce" began as a canticle in the common French tongue intermixed with Latin. It became a vehicle for satire and fun, and ...
The comedy-of-manners genre originated in the New Comedy period (325–260 BC) of Classical Greece (510–323 BC), and is known from fragments of works by the playwright Menander, whose style of writing, elaborate plots, and stock characters were imitated by Roman playwrights, such as Plautus and Terence, whose comedies were known to and staged ...
F. Homes Dudden notes how The Letter Writers is truly a farce unlike Fielding's other works, but he points out that the play "was too conventional to excite much interest." [ 16 ] The Battesins believe that "Slight as it is and unsuccessful, The Letter-Writers is worth noting for the clarity with which it exemplifies certain characteristics of ...
Literature, in general, is defined by Aristotle as a mimesis, or imitation of life. Comedy is the third form of literature, being the most divorced from a true mimesis. Tragedy is the truest mimesis, followed by epic poetry, comedy, and lyric poetry. The genre of comedy is defined by a certain pattern according to Aristotle's definition.
Humour (Commonwealth English) or humor (American English) is the tendency of experiences to provoke laughter and provide amusement.The term derives from the humoral medicine of the ancient Greeks, which taught that the balance of fluids in the human body, known as humours (Latin: humor, "body fluid"), controlled human health and emotion.
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. [1] For ancient Greeks and Romans, a comedy was a stage-play with a happy ending.
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. [1]
Aristotle divides the art of poetry into verse drama (comedy, tragedy, and the satyr play), lyric poetry, and epic. The genres all share the function of mimesis, or imitation of life, but differ in three ways that Aristotle describes: Differences in music rhythm, harmony, meter, and melody. Difference of goodness in the characters.