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Ceremonial paraphernalia in Filipino weddings include the arrhae, the candles, the veils, the cord, and wedding rings. [ 1 ] [ 2 ] The ring bearer acts as the holder and keeper of the rings until the exchanging of rings is performed, while the coin bearer acts as the holder and keeper of the arrhae until it is offered and given by the groom to ...
A feature of some Filipino weddings is the money dance. Men line up in front of the bride and pin money to her dress or veil, then dance with her. The same sequence occurs with the groom; women line up in front of him and pin money to his clothing.
In certain regions, it is quite common that during the traditional wedding days, there would be a tilak ceremony (where the groom is anointed on his forehead), a ceremony for adorning the bride's hand and feet with henna (called mehendi) accompanied by Ladies' Sangeet (music and dance), and many other pre-wedding ceremonies. Another important ...
The cord is held in place by means of pins. In other wedding ceremonies, the wedding cord is tied around the couple's wrists. The wedding cord stays on and around the couple until the wedding mass or religious service is finished. Then, it is removed by the same pair of wedding participants who were assigned to place the loop around the couple. [2]
Tinikling (traditionally written tiniclín) is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
According to the book of Francisca Reyes-Aquino, Philippine Folk Dances, Volume 2, there is a different version of the cariñosa in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine traditional dances, one of which is the Cariñosa. [1]
The success of the dance troupe resulted in invitations for the group to perform in other parts of Tacloban and eventually the rest of the country and the world. [ 2 ] Philippine President Diosdado Macapagal designated the dance troupe as Official Cultural Ambassadors of the Philippines to the United States for 1965.
Lucrecia Faustino Reyes-Urtula (June 29, 1929 – August 4, 1999) was a Filipino choreographer, theater director, teacher, author and researcher on ethnic dance. She was the founding director of the Bayanihan Philippine National Folk Dance Company and was named National Artist of the Philippines for dance in 1988.