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Panakawan (right) accompanied their masters in a traditional wayang wong theater performance in Yogyakarta.September 1923. Panakawan in wayang kulit, from left to right: Bagong, Petruk, Gareng, and Semar.
Petruk is one of the four Punokawan, together with Semar (the leader/father figure), Bagong, and Gareng; Petruk acts as the middle child.They are portrayed living together as a harmonious family. [1]
In Kelantan, Peninsular Malaysia, a similar figure is set up in the local iteration of the performance known as the pohon beringin ("banyan"). [3] [4] The beringin is often displayed in the beginning and the end of the performance symbolizing "a world loaded with lives...in the water, on the land and in the air".
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Wewe Gombel is a female supernatural being or vengeful ghost in Javanese mythology. It is said that she kidnaps children. [1]This myth is taught to encourage children to be cautious and to stay at home at night.
Sepak Tekong is a game usually played by children around eight years of age and above. The ideal number of players is between three and ten people and it is normally played in a house or yard that has various places to hide.
According to the legend, once upon a time in Svargaloka, a pair of deities, a god and a goddess committed a terrible sin.As punishment, Batari Sunan Ambu (the highest mother goddess also the queen of heaven in Sundanese mythology) banished them from Svargaloka and incarnated them on earth as animals—the god became a dog named Tumang, while the goddess became a boar named Celeng Wayungyang.
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.