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Giusti therefore attributes the direction of the film to D'Amato, and states that Fidani, for whom D'Amato had often worked as a camera operator, was involved as a producer. [5] In his book on Spaghetti Westerns published in 2002, film historian Ulrich Bruckner describes Go Away! as a collaboration between Spataro, Fidani and D'Amato. He ...
His nephew, Giovanni Antonio di Amato the younger married the painter Mariangiola Criscuolo. Another painter named Giovanni Antonio D’Amato was active in Baroque Naples. He painted a Vergine Lauretana for the church of Santa Maria del Popolo agli Incurabili and the Vision of San Romualdo for the ceiling of the choir of the Eremo dei Camaldoli.
Thrilled, Antonio starts talking about their days in the resistance. Unbeknownst to him, Luciana and Gianni fall in love with each other. One night, Gianni and Luciana admit their affair to Antonio. When the new couple leaves, Antonio runs after them and attacks Gianni.
Terence Hill (born Mario Girotti; 29 March 1939) is an Italian actor, film director, screenwriter and producer. [1] He began his career as a child actor and gained international fame for starring roles in action and comedy films, many with longtime film partner and friend Bud Spencer.
Carlo Pedersoli (31 October 1929 – 27 June 2016), known professionally as Bud Spencer, was an Italian actor, professional swimmer and water polo player.He was known for action-comedy and spaghetti Western roles with his long-time film partner and friend Terence Hill. [1]
Anthony Cornero, "Admiral", "Tony the Hat" (born Antonio Cornero Stralla, 1899–1955) Joseph Corozzo , "Jo Jo" (1942-2024) Nicholas Corozzo , "Little Nicky" (born 1949)
Joe D'Amato was born on 15 December 1936 in Rome, Italy. [1] His father was Renato Massaccesi, who after an incident on a ship had been declared a war invalid and had started to work at the Istituto Luce in Rome first as electrician, fixing power generators left by the United States army at Cinecittà, and then as chief photographic technician.
According to D'Amato, Antropophagus "had a tremendous, though totally unexpected, success both with the critics and the public" abroad. [7] From retrospective reviews, the book Spaghetti Nightmares called the film "professionally and cleverly made" and stated that it "immediately became the symbol for Italian gore". [17]