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Afrobeats: The Backstory is a documentary series that delves into the rise and global influence of Afrobeats, a genre of music that originated in Nigeria.Directed by Nigerian filmmaker Ayo Shonaiya, the series premiered on Netflix on 29 June 2022, offering an in-depth look at the cultural, political, and social landscape that shaped the Afrobeats sound, as well as its growth.
Tempoe began his career as a statistician and web developer in Nigeria's budding tech industry. He had always found pleasure in music, teaching himself basic production techniques using the fruity loops app and producing songs for free, before a chance meeting with then afrobeats producer, CKay, led to him producing the latter's first official single, "Nkechi Turnup" in 2016.
Afrobeat is a genre that developed in the 1960s and 1970s, taking influences from Fuji music and highlife, mixed in with American jazz and funk. Characteristics of Afrobeat include big bands, long instrumental solos, and complex jazzy rhythms. [20] [21] The name was coined by Nigerian afrobeat pioneer Fela Kuti. [22]
Afrobeat (also known as Afrofunk [3] [4]) is a West African music genre, fusing influences from Yoruba music [5] [6] and Ghanaian music (such as highlife), [7] with ...
Ronan Browne – flute, mandolin, harmonium, uilleann pipes; Jo Bruce – keyboards, programming; Kauwding Cissokho – kora; Massamba Diop – talking drum; Simon Emmerson – guitar, programming
Remain in Light is the fourth studio album by the American rock band Talking Heads, released on October 8, 1980, by Sire Records.The band's third and final album to be produced by Brian Eno, Remain in Light was recorded at Compass Point Studios in the Bahamas and Sigma Sound Studios in New York in July and August 1980.
The U.S. Afrobeats Songs chart is a standard record chart, ranking the most popular Afrobeats songs in the United States and it is published weekly by Billboard. [1] The chart ranks the 50 most popular songs every week.
Loops and echoes reconfigured reggae, funk and Afrobeat in dizzying ways; the music cackled and hopped, ready to trip up dancers or just get trippy in decidedly 21st-century groove." [ 9 ] His style has been characterized as experimental, containing "sampled loops, echoed vocals, bursting bass, and random moments."
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