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"Texas" is a song by British singer-songwriter Chris Rea, released in 1990 as an extended play from his tenth studio album The Road to Hell (1989). It was written by Rea and produced by Rea and Jon Kelly. [1] "Texas" reached No. 69 in the UK Singles Chart and remained in the Top 100 for two weeks. [2]
"Texas Flood" is a slow-tempo twelve-bar blues notated in 12/8 time in the key of A flat. Davis wrote it in California in 1955 and the song is credited to Davis and Duke Records arranger/trumpeter Joseph Scott. [2] Nominally about a flood in Texas, Davis used it as a metaphor for his relationship problems:
The Dead Sea is a salt lake is bordered by Jordan to the east and Palestine's Israeli-occupied West Bank and Israel to the west. [5] [6] It is an endorheic lake, meaning there are no outlet streams. The Dead Sea lies in the Jordan Rift Valley, a geographic feature formed by the Dead Sea Transform (DST).
The song is sung from the perspective of a man who has, temporarily, survived a mid-air collision.In his dying words, he describes in graphic detail what he remembered of the collision and his current condition: his arms have been severed, his co-pilot is already lifeless beside him, blood is rapidly leaving his body and pooling underneath him, and a paramedic indicates that no medical ...
"You Owe It All to Me" is a song by Scottish band Texas, released in October 1993 by Vertigo Records as the second single from their third studio album, Ricks Road (1993). It was written by Johnny McElhone and Sharleen Spiteri, and produced by Paul Fox. The song reached number 39 on the UK Singles Chart.
It is the band's only full-length with former Smiths guitarist Johnny Marr as a member. [3] It is also their last with founding member and bassist Eric Judy. It has a strong nautical theme and was originally envisioned as a concept album about a boat crew that dies in every song. [4] This album was certified Gold by the RIAA on June 11, 2009. [5]
Beyoncé has officially entered not only her “country era” but also her “history-making country era,” as her newly released singles “Texas Hold ’Em” and “16 Carriages” hit No. 1 ...
Jim Jackson first recorded the opening line, "T for Texas, T for Tennessee" on his song "Jim Jackson's Kansas City Blues", a month before the "Blue Yodel" recording session took place. Around the same time as Rodgers's recording, the line appeared in Lonnie Johnson's rendition of Jackson's song, and later in Frank Stokes's "Nehi Mamma Blues". [24]