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Bilingual vase painting; Black-figure pottery; Black-glazed Ware; Boeotian vase painting; Boxing Siana Cup; C. Caeretan hydria; Campanian vase painting; Canosa vases ...
Imperial Fritillaries in a Copper Vase is an oil painting on canvas measuring 73.5 by 60.5 cm which was painted in Paris in 1887. [1] [2] It depicts a bouquet of golden imperial fritillaries in a copper vase, the shiny patina of which (surrounded by lavender highlights) "reflects the color of the flowers as the motted wall stands out with a combination of blue, green and yellow shades" with ...
In the 1650s and '60s, as Amsterdam flourished as a hub of commerce and politics, Kalf perfected the pronk (display) still life to exhibit its prosperity. Using an arrangement of objects generally extremely similar to the ones in Still Life with a Chinese Porcelain Jar, depicted with a rich, velvety atmosphere and glistening light, Kalf captured his city's wealth for all to admire. [3]
Gnathia vases are a type of pottery belonging to ancient Apulian vase painting of the 4th century BC. They are named after the ancient city of Gnathia (now Egnazia) in Eastern Apulia . There, the first examples of the style were discovered in the mid-19th century.
East Greek vase painting was a regional style of ancient Greek vase painting, produced by the eastern Greeks (Ionia and the islands of the eastern Aegean Sea). In spite of the region's wealth, the pottery was rather unremarkable in comparison to other areas. The clay is red-brown to pink and often contains mica inclusions. Many regional sub ...
Most Attic pottery was then painted in the black-figure style. Much of the Athenian pottery production of that time was exported to Etruria. Most of the extant Attic pottery has been recovered as grave goods (excavated or looted) from Etruscan tombs. At the time, vase painting received major new impulses from potters such as Nikosthenes and ...
White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic material only.
Ionic vase painting was a regional style of ancient Greek vase painting.. So-called “Birdcatcher Cup“, Ionian kylix, circa 550 BC. Paros: Louvre.. Ionia first becomes noticeable as a separate region within East Greek vase painting during the final phase of the Orientalising style, when the black-figure incision style spread from Northern Ionia throughout East Greece.
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