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Gaelic warfare. Irish gallowglass and kern. Drawing by Albrecht Dürer, 1521. Gaelic warfare was the type of warfare practiced by the Gaelic peoples (the Irish, Scottish, and Manx ), in the pre-modern period. Part of a series on. War.
Ancient Celtic warfare refers to the historical methods of warfare employed by various Celtic people and tribes from Classical antiquity through the Migration period. Unlike modern military systems, Celtic groups did not have a standardized regular military. Instead, their organization varied depending on clan groupings and social class within ...
Between 1603 and 1868, Japanese tattooing was only practiced by the ukiyo (floating world) subculture. Generally firemen, manual workers and prostitutes wore tattoos to communicate their status. [citation needed] By the early 17th century, criminals were widely being tattooed as a visible mark of punishment.
The Picts are often said to have tattooed themselves, but evidence for this is limited. Naturalistic depictions of Pictish nobles, hunters and warriors, male and female, without obvious tattoos, are found on monumental stones. These include inscriptions in Latin and ogham script, not all of which have been deciphered. The well-known Pictish ...
Celtic art. The reverse side of a British bronze mirror, 50 BC – 50 AD, showing the spiral and trumpet decorative theme of the late "Insular" La Tène style. Muiredach's High Cross, Ireland, early 10th century. Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to ...
Cú Chulainn ( / kuːˈkʌlɪn / koo-KUL-in[ 1][ 2] Irish: [kuːˈxʊlˠɪn̠ʲ] ⓘ ), is an Irish warrior hero and demigod in the Ulster Cycle of Irish mythology, as well as in Scottish and Manx folklore. [ 3] He is believed to be an incarnation of the Irish god Lugh, who is also his father. [ 4][ 5][ 6] His mother is the mortal Deichtine ...
The fianna are the focus of a body of Irish legends known as the Fíanaigecht, 'Fianna Cycle' or 'Fenian Cycle'. Most are about the adventures and heroic deeds of Finn (or Fionn) mac Cumhaill and his fían members. In earlier tales, the various fianna groups are depicted as roving hunter-warriors, and there are many pagan and magical elements ...
The Red Hand of Ulster (Irish: Lámh Dhearg Uladh) is a symbol used in heraldry [1] to denote the Irish province of Ulster and the Northern Uí Néill in particular. It has also been used however by other Irish clans across the island, including the ruling families of western Connacht (i.e. the O'Flahertys and McHughs) and the chiefs of the Midlands (e.g. O'Daly, Kearney, etc.).
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