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Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of that time. Interesting developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination , Coptic art , Celtic art, Islamic art , Kievan Rus' book illumination, Ethiopian art , and ...
Steps in the process of making a shyrdak ornament. Pattern plays a key role in the shyrdak, they hold information and magical features. [4] Widely used ornamental motifs are the triangle (tumar), as well as the black and white suu-water border motif, considered to be a talisman that protects from evil. The ornaments also visualise blessings and ...
Ornament (art) Rococo interior of the Wilhering Abbey (Wilhering, Austria), with a trompe-l'œil painted ceiling, surrounded by highly decorated stucco. In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in ...
Egg-and-dart molding at the top of an Ionic capital at the Jefferson Memorial. Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, [1] is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element [1] (e.g ...
Palmette. Page in which appear various illustrations of palmettes, from A handbook of Ornament by Franz Meyer (1898) Etruscan architectural plaque with palmettes, from late 4th century BC, painted terracotta, in the Metropolitan Museum of Art, New York City. The palmette is a motif in decorative art which, in its most characteristic expression ...
Girih patterns can be created in a variety of ways, including the traditional straightedge and compass construction; the construction of a grid of polygons; and the use of a set of girih tiles with lines drawn on them: the lines form the pattern. Patterns may be elaborated by the use of two levels of design, as at the 1453 Darb-e Imam shrine.
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