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The stained glass windows of Chartres Cathedral are held to be one of the best-preserved and most complete set of medieval stained glass, notably celebrated for their colours, especially their cobalt blue. They cover 2600 square metres in total and consist of 172 bays illustrating biblical scenes, the lives of the saints and scenes from the ...
The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
The coloured glass is crafted into stained glass windows in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead, called cames or calms, and supported by a rigid frame. Painted details and yellow stain are often used to enhance the design.
The color was mixed with "soft" glass, a kind of glass with a low melting point, which would allow the mixture to be fused directly with the glass of the windows. [ 21 ] The painters placed the window section on an open easel placed before a window, or put the glass flat onto a transparent table, so the artist could see the effect of the light ...
Whole window. Saint Thomas Becket window in Chartres Cathedral is a 1215–1225 stained-glass window in Chartres Cathedral, located behind a grille in the Confessors' Chapel, second chapel of the south ambulatory. 8.9 m high by 2.18 m wide, it was funded by the tanners' guild. [ 1] The furthest left of five lancet windows in the chapel, it is ...
The Cologne Cathedral Window is the stained glass window in the south transept of the Cologne Cathedral designed by Cologne artist Gerhard Richter. On a surface of 106 square metres, 11,263 glass squares in 72 colours of 9,6 cm × 9.6 cm were principally arranged randomly, with others selected in response to architectural context. [ 1 ]
Norman style – windows with semicircular tops, in which the glass is usually divided into geometric sections by iron bracing. In the style of the 11th and 12th centuries. Gothic style – with pointed arches; Early English (Gothic) – lancet-shaped windows that are often grouped together. In the style of the mid 12th to early 13th centuries.
The style evolved to one that was less heavy, had larger windows, lighter-weight vaulting supported on stone ribs and above all, the pointed arch which is the defining characteristic of the style now known as Gothic. With thinner walls, larger windows and high pointed arched vaults, the distinctive flying buttresses developed as a means of support.