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Action painting was a style widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms action painting and abstract expressionism interchangeably).
In the early 1970s Allen was involved with Bridget Riley and Peter Sedgley's artist cooperative at the Match Shed in London. In 1970 his large two colour stripe acrylic Op art paintings on canvas were installed at the Match Shed in London (Images from Richard Allen's website) and he had a one-man show at Angela Flowers in 1971.
His paintings remained fully abstract until the early 1960s when figures and faces began to appear in the abstract field, particularly in the "Dancer" and "Bather" series. McNeil commented to art historian Irving Sandler in 1968: my work has always had not a human figure image, but it always had a figural image.
Mark Rothko (/ ˈ r ɒ θ k oʊ / ROTH-koh; Markus Yakovlevich Rothkowitz until 1940; September 25, 1903 – February 25, 1970) was a Latvian American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970.
Post-painterly abstraction is a term created by art critic Clement Greenberg [1] as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto.
The exhibition, especially Mitchell's "Sunflower" paintings from the late 1960s-early 1970s, received critical acclaim. [31] Writing for The New York Times , Peter Schjeldahl predicted that Mitchell would ultimately be recognized "as one of the best American painters not only of the fifties, but of the sixties and seventies as well."
Stephen Sacklarian and wife Ayne in Philadelphia, PA.. Stephen Sacklarian (1899–1983) was an Armenian American painter and sculptor of Bulgarian Armenian descent. Although Sacklarian never formally subscribed to any official art movement, critics consider his paintings to be a blend of Modern and Abstract Expressionist, with elements of Cubism.
[1] [3] He called it his “big sweep.” [6] From oils in his early years, he moved on to brilliant acrylics on large canvases, and softer, quieter dry pigments on paper. [7] Though abstract, the compositions could sometimes suggest ethereal landscapes, even human forms. [3] He had his signature colors as well.
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