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The Buddha Shakyamuni describes in detail the form of the elephant on which Universal Virtue is mounted. [6] Universal Virtue rides the white elephant for the sole purpose of guiding the people of Jambudvīpa, or the sahā-world, through practices that are associated with their environment. [7]
20th century carved ivory tusk at Decorative Arts Gallery, National Museum, New Delhi. Carved elephant tusk depicting Buddha life stories is an intricately carved complete single tusk now exhibited at the Decorative Arts gallery, [1] National Museum, New Delhi, India.
Backside of Tibetan 25 tam banknote, dated 1659 of the Tibetan Era (= 1913 CE).On the right, the four harmonious animals are represented. A popular scene often found as wall paintings in Tibetan religious buildings represents an elephant standing under a fruit tree carrying a monkey, a hare and a bird (usually a partridge, but sometimes a grouse, and in Bhutan a hornbill) on top of each other ...
Finally the elephant disappeared and the queen awoke, knowing she had been delivered an important message, as the elephant is a symbol of greatness. According to Buddhist tradition, the Buddha-to-be was residing as a bodhisattva in the Tuṣita heaven, and decided to take the shape of a white elephant to be reborn on Earth for the last time ...
The elephant is the state animal of Kerala and is featured on the emblem of the Government of Kerala, and previously on the coat of arms of Travancore. The elephant is also on the flag of the Kingdom of Laos with three elephants visible, supporting an umbrella (another symbol of royal power) until it became a republic in 1975. Other Southeast ...
The Buddha's jealous cousin Devadatta sets loose the drunken elephant, Nalagiri, to trample the Buddha. In one account of the story, when Nalagiri charged at the Buddha, the Buddha created an image of two lions and a sea of fire in front of the elephant to frighten it into staying still.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Thus, the title may be rendered in English as A Garland of Buddhas, Buddha Ornaments, or Buddha's Fine Garland. [3] In Buddhist Hybrid Sanskrit, the term avataṃsaka means "a great number," "a multitude," or "a collection." This is matched by the Tibetan title of the sutra, which is A Multitude of Buddhas (Tibetan: sangs rgyas phal po che). [3]
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