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Abstract art became prominent in Iceland in the mid-twentieth century, spearheaded by artists such as Svavar Guðnason and Nína Tryggvadóttir.However some of the country's prominent artists working in that period eschewed abstractionism, such as Gunnlaugur Scheving who instead favoured narrative content and an approach to colour and form possibly influenced by fauvism and cubism; and Louisa ...
What followed is unheard of in the Icelandic art history. 3000 people (1% of the country's population) attended the exhibition in one day and showed their support in Einar and the Icelandic painting. After this show, Icelandic painters formed a group to push for more democracy in the Public art world. This struggle continues to date. [24]
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Around 1960 the Swiss-German artist Dieter Roth moved to Iceland. His engagement with the Icelandic art scene was of great importance in introducing movements such as conceptual art , Fluxus , happenings , body art , life art and social sculpture , which since have formed a basis for Icelandic Contemporary Art.
Teiknibók (Reykjavík, Stofnun Árna Magnússonar, AM 673 a III 4to) is an Icelandic manuscript of drawings used as models for manuscript illumination, painting, carving and metalwork. It is remarkable for being one of only three dozen books of its type which survive from Western Europe and the only example extant from medieval Scandinavia .
The National Gallery of Iceland (Icelandic: Listasafn Íslands [ˈlɪstaˌsapn ˈistlan(t)s]) is an art museum in Reykjavík which contains a collection of Icelandic art. The gallery features artwork of famous Icelandic artists and artwork that helps explain the traditional Icelandic culture .
Æsa Sigurjónsdóttir (born 23 September 1959 [2] in Reykjavík) is an Icelander art curator. [3] She specializes in contemporary art, photography, history of photography [4] [5] [6] and fashion. [7] She is full professor of art history and art theory at the University of Iceland.
Ásgrímur Jónsson (March 4, 1876 – April 5, 1958) was an Icelandic painter, and one of the first in the country to make art a professional living. He studied at the Royal Academy in Copenhagen between 1900 and 1903 and traveled widely after graduation.