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Abstract Expressionism preceded Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, and the other movements of the 1960s and 1970s and it influenced the later movements that evolved. The interrelationship of/and between distinct but related styles resulted in influence that worked both ways between artists ...
Richard Diebenkorn (April 22, 1922 – March 30, 1993) was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.
Tony Smith, Free Ride, 1962, 6'8 x 6'8 x 6'8 (the height of a standard US door opening), Museum of Modern Art, New York. By the early 1960s, Minimalism emerged as an abstract movement in art (with roots in geometric abstraction via Malevich, the Bauhaus and Mondrian) which rejected the idea of relational, and subjective painting, the complexity ...
It is also related to American lyrical abstraction painting of the 1960s and 1970s, the Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of abstract expressionism, precedents in Pop Painting, [3] and New Image Painting: a vague late 1970s term applied to painters who employed a strident ...
The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th-century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward ...
The American Abstract Artists group was established as a forum for discussion and debate of abstract art and to provide exhibition opportunities when few other possibilities existed. [8] In late 1935 and early 1936 a small group of artists, who would become founding members of AAA, had sporadic informal meetings in their studios about ...
By the early 1960s, minimalism had emerged as an abstract movement in art, with roots in geometric abstraction via Malevich, the Bauhaus, and Mondrian.This movement rejected the ideas of relational and subjective painting, the complexity of abstract expressionist surfaces, and the emotional zeitgeist and polemics present in action painting.
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