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Regarding Kurosawa's reflections on the theme of cycles of violence, these found a beginning with Throne of Blood (1957), and became nearly an obsession with historical cycles of inexorable savage violence—what Stephen Prince calls "the countertradition to the committed, heroic mode of Kurosawa's cinema" [3] which Kurosawa would sustain as a ...
Kurosawa was born on March 23, 1910, [3] in Ōimachi in the Ōmori district of Tokyo. His father Isamu (1864–1948), a member of a samurai family from Akita Prefecture, worked as the director of the Army's Physical Education Institute's lower secondary school, while his mother Shima (1870–1952) came from a merchant's family living in Osaka. [4]
The following is a list of works, both in film and other media, for which the Japanese filmmaker Akira Kurosawa made some documented creative contribution. This includes a complete list of films with which he was involved (including the films on which he worked as assistant director before becoming a full director), as well as his little-known contributions to theater, television and literature.
Cinematography: Asakazu Nakai; Takao Saito [1] Edited by: Akira Kurosawa [1] ... Scored by Masaru Sato, this was the eighth film he worked on with Akira Kurosawa.
Ikiru (生きる, "To Live") is a 1952 Japanese tragedy film directed by Akira Kurosawa from a screenplay co-written with Shinobu Hashimoto and Hideo Oguni.The film examines the struggles of a terminally ill Tokyo bureaucrat (played by Takashi Shimura) and his final quest for meaning.
Akira Kurosawa directing Seiji Miyaguchi (far right side) Long before it was released, the film had already become a topic of wide discussion. [ 21 ] After three months of pre-production, it had 148 shooting days spread out over a year—four times the span covered in the original budget, which eventually came to almost half a million dollars.
Dersu Uzala (Russian: Дерсу Узала, Japanese: デルス·ウザーラ, romanized: Derusu Uzāra; alternative U.S. title: Dersu Uzala: The Hunter) is a 1975 Soviet-Japanese biographical adventure drama film directed and co-written by Akira Kurosawa, his only non-Japanese-language film and his only 70mm film.
Kagemusha (影武者, Shadow Warrior) is a 1980 epic jidaigeki film directed by Akira Kurosawa.It is set in the Sengoku period of Japanese history and tells the story of a lower-class criminal who is taught to impersonate the dying daimyō Takeda Shingen to dissuade opposing lords from attacking the newly vulnerable clan.
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