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Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference is a 1986 book by David J. Garrow about Martin Luther King Jr., the Southern Christian Leadership Conference, the Freedom Rides, The March on Washington and the American Civil Rights Movement. The content of this book is derived from over 700 recorded ...
David Jeffries Garrow (born May 11, 1953) is an American author and historian.He wrote the book Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference (1986), which won the 1987 Pulitzer Prize for Biography.
The first chapter was published in the November–December 1940 issue. This first publication of the book can be viewed in the original magazines on Austin-Sparks.Net. [ 1 ] It was later published as a book by Witness and Testimony Publishers in August 1945 and advertised in the Sept/Oct edition of the "A Witness and A Testimony" magazine. [ 2 ]
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The second chapter of the book criticizes Reinhold Niebuhr for not speaking out against racism and lynching in the United States. [4] The third chapter discusses Martin Luther King Jr. and his influence on Cone's work. [5] The book was published in 2011. [6]
Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
His most notable works are the Madre della Consolazione and Christ Bearing the Cross. The painting is a mixture of Italian and Greek Byzantine prototypes; it follows the traditional maniera greca and was influenced by Venetian painting. Christ Bearing the Cross is in the Metropolitan Museum of Art in New York. [1] [2] [3]
Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]