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In calling up, The first-called bell moves after the second called bell. In calling down, The first-called bell moves after the second called bell. In Swapping, the bells simply swap position; In all cases, the ringer of the bell immediately above (behind) the swapping pair must also be alert, as that bell follows a new bell after the swap.
The highest bell in pitch is known as the treble and the lowest the tenor. The majority of bell towers have the ring of bells (or ropes) going clockwise from the treble. For convenience, the bells are referred to by number, with the treble being number 1 and the other bells numbered by their pitch (2, 3, 4, etc.) sequentially down the scale.
Call change ringing is a branch of the art of change ringing, in which a group of English-style full-circle bell ringers are instructed continually to create different sequences, or changes, of the bells' striking order. Each command from the leader or "conductor" of the ringing results in a new sequence of sounding the bells.
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This can be by method ringing in which the ringers commit to memory the rules for generating each change, or by call changes, where the ringers are instructed how to generate each change by instructions from a conductor. This creates a form of bell music which cannot be discerned as a conventional melody, but is a series of mathematical ...
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Finally, as the sound of the bell ebbs, the slowly decaying hum tone (an octave below the prime, see subharmonic) lingers on." [3] "When a bell is properly struck, the first note that prominently attracts the attention of the ear is what is known as the strike note, tap note, or fundamental, this is what we call the note of the bell. The low ...
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