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Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
In the 1980s and '90s, a push to lower the legal blood alcohol content (BAC) limit for getting behind the wheel took the country by storm. Mothers Against Drunk Driving (MADD) was formed in 1980 ...
Johnny Rodriguez is an American country music singer. He is a Tejano and Texas country music singer, infusing his music with Latin sounds, and even singing verses of songs in Spanish. In the 1970s and 1980s, he was one of country music's most successful male artists, recording a string of hit songs, such as "You Always Come Back to Hurting Me ...
Queen, which had expanded its music to experimental and crossover genres in the early 1980s, returned to guitar-driven hard rock with The Miracle in 1989. Additionally, a few women managed to achieve stardom in the 1980s hard rock scene, including: Pat Benatar , Ann and Nancy Wilson of Heart , and former Runaways members Joan Jett and Lita Ford .
Among artists whose success continued from the 1980s, Reba McEntire was the most successful of the female artists, selling more than 30 million albums during the decade, gaining eight number-one hit singles on the U.S. Hot Country Singles & Tracks chart and six number one albums internationally, including her best-selling album, Greatest Hits ...
Punk rock artists such as Patti Smith and Paul Westerberg(The Replacements) were popular as singers and songwriters. In the late 1980s, new history of female U.S. folk artists was beginning with Suzanne Vega whose first album sold unexpectedly well.
Rosetta Reitz (1924–2008) was an American jazz historian and feminist who established a record label producing 18 albums of the music of the early women of jazz and the blues. [173] The vast majority of major musicologists and music historians have been men. Nevertheless, some women musicologists have reached the top ranks of the profession.
HOT WIRE: The Journal of Women's Music and Culture was a women's music magazine published three times a year from 1984–1994. [26] [27] It was founded in Chicago by volunteers Toni Armstrong Jr., Michele Gautreaux, Ann Morris and Yvonne Zipter; Armstrong Jr. became the sole publisher in 1985. [28]