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Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457 ...
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
In modern notation, the key signature for music in a minor key is typically based on the accidentals of the natural minor scale, not on those of the harmonic or melodic minor scales. For example, a piece in E minor will have one sharp in its key signature because the E natural minor scale has one sharp (F ♯ ).
Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. ... minor: harmonic — Harmonic Scale: Harmonic scale chromatic on C.
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
A "raised 7th" is also a strong indication of a minor scale (instead of a major scale): For example, C major and A minor both have no sharps or flats in their key signatures, but if the note G ♯ (the seventh note in A minor raised by a semitone) occurs frequently in a melody, then this melody is likely in A harmonic minor, instead of C major.
The sharps in the key signature of G ♯ major here proceed C ♯, G ♯, D ♯, A ♯, E ♯, B ♯, F. Single sharps or flats in the key signature are sometimes repeated as a courtesy, e.g. Max Reger's Supplement to the Theory of Modulation, which contains D ♭ minor key signatures on pp. 42–45.
The very first designs of keyed trumpet were intended to correct the intonation of the notes in the harmonic series, rather than to extend its capabilities to a full chromatic scale. [5] The harmonic trumpet, a silver trumpet in E♭ with crooks for D, C, and B♭ and four keys, was made by London instrument maker William Shaw for King George ...