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Pages in category "Music based on One Thousand and One Nights" The following 18 pages are in this category, out of 18 total. ... Arabian Knights (song) B.
"1001 Arabian Nights" is a song by Dutch band Ch!pz, from their 2005 album The World of Ch!pz. The song remained at number one on the Dutch singles chart for four weeks. It reached number two in Austria, and number three in Germany and Switzerland. [1] [2] In November 2022, the song received renewed attention as a result of a TikTok trend.
A common theme in many Arabian Nights tales is fate and destiny. Italian filmmaker Pier Paolo Pasolini observed: [79] [E]very tale in The Thousand and One Nights begins with an 'appearance of destiny' which manifests itself through an anomaly, and one anomaly always generates another. So a chain of anomalies is set up.
The Dutch music group Ch!pz has also released a song called "1001 Arabian Nights" and also has a film clip to go along with it which illustrates one of the stories. Mexican female music group Flans released a song called "Las Mil y una Noches" (One Thousand and One Nights) "Scheherazade" is a song by Panda Bear, from the 2011 album Tomboy.
YouTube is an American video-sharing website headquartered in San Bruno, California. "Lm3allem" by Moroccan singer Saad Lamjarred is the most-viewed Arabic music video with 1 billion views in May 2023. [1] [2] "Ya Lili" by Tunisian singer Balti with Hammouda is the second video to garner over 700 million views.
Arabian Nights (Reprise #4) — This was later used as the ending for Aladdin and the King of Thieves. Additional Menken/Ashman demos [ 13 ] Call Me a Princess – A cover version was recorded by actress/singer Kerry Butler and released on her first solo album, Faith, Trust & Pixie Dust in May 2008.
NEW YORK (AP) — […] The post ‘The Greatest Night in Pop’ explores the making of the classic ‘We are the World’ appeared first on TheGrio.
The melody was described as an "Arabian Song" in the La grande méthode complète de cornet à piston et de saxhorn par Arban, first published in 1864. [1] [7] Sol Bloom, a showman (and later a U.S. congressman), published the song as the entertainment director of the World's Columbian Exposition in 1893.