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Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is ...
The use of lancet windows is found in the Early Gothic architecture of France, at Saint-Denis, and Sens and Senlis cathedrals. At Chartres and Laon cathedrals lancet windows are grouped beneath the rose windows. Tall narrow lancets are also found in radiating groups in the chancel apses of some churches, such as Chartres Cathedral.
The figures in the windows were often surrounded by white glass to frame them and make them stand out. Superimposed medallions, in a form called "Legendaire", became a common feature. Lancet windows became another common feature of the windows. Instead of having multiple figures, lancet windows had only a single figure, surrounded by white.
Early Gothic façades often had a small rose window placed above the central portal. In England the rose window was often replaced by several lancet windows. [66] In the High Gothic period, the façades grew higher, and had more dramatic architecture and sculpture.
Gothic style – with pointed arches; Early English (Gothic) – lancet-shaped windows that are often grouped together. In the style of the mid 12th to early 13th centuries. Geometric (Decorated Gothic) – pointed-arched windows which have tracery in circle-based geometric designs. In the style of the mid-13th to early 14th centuries.
Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.
Understanding and interpreting the windows can be difficult in an era out of contact with medieval theology, teachings and sermons commenting on the Gothic cathedrals' stained glass windows. However, the presence of the famous 12th-century School of Chartres suggests that the precise placing of the windows had meaning for their designers.
During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets, lancet arches, trefoils, Gothic tracery and rose windows. This style was also as "Cathedral style" ("À la catédrale") or "Troubadour style" ("style troubadour"). [1] [2]