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View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm, commonly known as The Oxbow, is a seminal American landscape painting by Thomas Cole, founder of the Hudson River School. The 1836 painting depicts a Romantic panorama of the Connecticut River Valley just after a thunderstorm. It has been interpreted as a confrontation ...
The Oxbow (The Connecticut River near Northampton) (1836) The Course of Empire (1833–1836), this animated image shows all five paintings in the series as separate frames. Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement.
He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, [3] he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and often depict small figures or structures set against moody and evocative natural ...
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, and now in the collection of the New-York Historical Society. The series depicts the growth and fall of an imaginary city, situated on the lower end of a river valley, near its meeting with a bay of the sea.
Considered a minor member of the Hudson River School, Moore later began painting in the Pre-Raphaelite style. He later became the first art professor at Harvard University, and the first director of the university's Fogg Art Museum. Moore was one of few watercolor painters in the Hudson River School, and was an early member of the American ...
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Asher Durand, Kindred Spirits, 1849 Durand's main interest changed from engraving to oil painting about 1830 with the encouragement of his patron, Luman Reed.In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks Mountains, and soon after he began to concentrate on landscape painting.