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Their contemporary in Ireland was the Italian immigrant Michele Esposito (1855–1929), a figure of seminal importance in Irish music who arrived in Ireland in 1882. The years after Irish independence were a difficult period in which composers tried to find an identifiable Irish voice in an anti-British climate, which included ressentiments ...
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Writing in the Irish Examiner, Simon Price noted "the shift from live concerts to online streaming brought about by the pandemic has given audiences and artists an opportunity to enjoy high-quality original Irish music presented from national parks, stately homes, art galleries, iconic landmarks and other venues not ordinarily open to public ...
Nicholas Carolan, Director Emeritus, holding a lecture at the "Craiceann Bodhrán Festival" 2014. The archive has published two major printed publications deriving from historical manuscript collections of Irish traditional music: Tunes of the Munster Pipers: Irish Traditional Music from the James Goodman Manuscripts, 500 pre-Famine melodies edited by Dr Hugh Shields from a Trinity College ...
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Irish traditional music sessions are mostly informal gatherings at which people play Irish traditional music. [1] The Irish language word for "session" is seisiún . This article discusses tune-playing, although "session" can also refer to a singing session or a mixed session (tunes and songs).
The Folk Music Society of Ireland published a facsimile edition in 1986, edited by Nicholas Carolan, and this was republished with additional notes and illustrations in 2010 by the Irish Traditional Music Archive in association with the Folk Music Society of Ireland. The next collection was Wright's Aria di Camera (1730). It contained Scottish ...