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The tradition of Odissi music is nearly a millennium old, there are several ancient musical treatises produced in the state of Odisha for several centuries, there are unique ragas and a distinctive manner of rendition. Pani further argues : [31] From the discussions above, it is evident that Odissi music is a distinctive shastric (classical ...
Classical Odia literature & the Gita Govinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) body as three sources of perfecting expression and ...
The playing of the Mardala is based on the tala-paddhati or rhythmic system of Odissi music. A tala is a rhythmic structure in Indian music. The talas in use in Odissi music are distinctive, and are not found in other systems of Indian music. [2] The playing of the instrument follows a strict classical grammar.
Jayadeva was an 11th-century Sanskrit poet and lyricist from present-day India. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi as well as traditional classical music of the state, Odissi music and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music.
Banamali's creations are frequently sung in classical Odissi music concerts & enacted in the abhinaya part of Odissi dance. He is known to have composed over 400 songs; Odissi, Chhanda, Bhajana, Janana, Chautisa and more. He is not known to have written any single kavya, but rather a large number of individual songs. The Ragas used by Banamali ...
Prahallada Nataka has a repertoire of over three hundred songs. All the songs are classical, based on Odissi music and employ traditional ragas & talas unique to the Odissi tradition. Dhyana-shlokas of the respective ragas are sung before beginning any given song. The songs frequently employ padi, a
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Kabisurjya Baladeba Ratha (alternatively spelled Kabisurya, Kavisurya Baladev Rath, Kabisūrjya Baḷadeba Ratha, Odia: [kɔbisurd͡ʒjɔ bɔl̪ɔd̪ebɔ ɾɔt̪ʰɔ] ⓘ; c. 1789 – 1845) was an Indian poet who wrote in the Odia language, and a composer and musician of Odissi music, most known as poet-composer of the Champu.