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Pierre Cartier sold the "Hope" blue diamond to an American customer, Evalyn Walsh McLean, and counted actress Ève Lavallière and socialite Doris Duke among his clients. La Belle Otero wore Cartier jewelry and famously said, "A man with an account at Cartier cannot be considered ugly." Wearing Cartier during the Belle Époque was a status symbol.
The Love Bracelet (styled L⊝Ve, with the horizontal line inside the letter "O" alluding to the bracelet's locking mechanism) is a piece of jewelry designed in 1969 by Aldo Cipullo and later offered to Cartier SA. [1] [2] Early versions of the Love Bracelet featured gold plating, while more recent designs are created from solid gold or ...
After his studies he worked as designer for the American jeweler David Webb before joining Tiffany & Co. [3]. In 1969 Cipullo began to work with Cartier. [2]When there he offered his design the Love bracelet to Cartier [3] and created the "Juste Un Clou” (The Nails Collection) in 1971.
In the end, I did not purchase a Cartier love bracelet (although, hello French luxury goods house, I’m so open to gifts!). It wasn’t because I didn’t crave it, but entirely because it wasn ...
He was one of three sons of Alfred Cartier (1841–1925) and Amélie Alice (née Griffeuille) Cartier (1853–1914). His two brothers were Pierre Cartier and Louis Cartier. His grandfather, Louis-François Cartier had taken over the jewellery workshop of his teacher, Adolphe Picard, in 1847, thereby founding the famous Cartier jewelry company. [1]
Portrait of Jeanne Toussaint by César Helleu Portrait of Jeanne Toussaint by Adolph de Meyer (1920). Jeanne Toussaint (1887–1976) was a Belgian-born French jeweller and fashion designer who exerted considerable influence on jewellery design after Louis Cartier appointed her Director of Fine Jewellery in 1933.
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