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In Memoriam was a favourite poem of Queen Victoria, who after the death of her husband, the Prince Consort Albert, was "soothed & pleased" by the feelings explored in Tennyson's poem. [15] In 1862 and in 1883, Queen Victoria met Tennyson to tell him she much liked his poetry.
Carolyn Carty also claims to have written the poem in 1963 when she was six years old based on an earlier work by her great-great aunt, a Sunday school teacher. She is known to be a hostile contender of the "Footprints" poem and declines to be interviewed about it, although she writes letters to those who write about the poem online. [1]
The main focus of this poem is the love of parents for their children, but this kind of love can be easily misunderstood by the latter, as it isn't about being kind and saying lovely words but instead are all the sacrifices that parents do; for instance, as it is implied in the poem, keeping the house warm and polishing the "good shoes".
In 1971, Les Crane used a spoken-word recording of the poem as the lead track of his album Desiderata. [20] His producers had assumed that the poem was too old to be copyrighted, but the publicity surrounding the record led to clarification of Ehrmann's authorship and the eventual payment of royalties.
Poetic contractions are contractions of words found in poetry but not commonly used in everyday modern English. Also known as elision or syncope, these contractions are usually used to lower the number of syllables in a particular word in order to adhere to the meter of a composition. [1]
Answering a reader's question about the poem in 1879, Longfellow himself summarized that the poem was "a transcript of my thoughts and feelings at the time I wrote, and of the conviction therein expressed, that Life is something more than an idle dream." [13] Richard Henry Stoddard referred to the theme of the poem as a "lesson of endurance". [14]
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The Son of God Goes Forth to War (1812) is a hymn by Reginald Heber [1] which appears, with reworked lyrics, in the novella The Man Who Would Be King (1888), by Rudyard Kipling and, set to the Irish tune The Moreen / The Minstrel Boy, in the film The Man Who Would Be King (1975), directed by John Huston. [2]