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"The Wind" shows great inventiveness in its choice of metaphors and similes, while employing extreme metrical complexity. [9] It is one of the classic examples [10] [11] of the use of what has been called "a guessing game technique" [12] or "riddling", [13] a technique known in Welsh as dyfalu, comprising the stringing together of imaginative and hyperbolic similes and metaphors.
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]
The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.
The poem was adapted as the lyrics in the song "Prayer" by Lizzie West. The last four lines of the poem were recited among others in Getting Over It with Bennett Foddy. The poem is read by Lisa (played by Kerry Godliman), the dying wife of lead character Tony (played by Ricky Gervais) in the final episode of the Netflix series After Life.
Softly the wind took flight, and soon With horrible wings around me hissed. Night made a thousand ghouls respire, Of what I felt, a thousandth part My mind, what a consuming fire! What a glow was in my heart! You I saw, your look replied, Your sweet felicity, my own, My heart was with you, at your side, I breathed for you, for you alone.
The speaker of the poem is the character Aedh, who appears in Yeats's work alongside two other archetypal characters of the poet's myth: Michael Robartes and Red Hanrahan. The three characters, according to Yeats, represent the "principles of the mind;" whereas Robartes is intellectually powerful and Hanrahan represents Romantic primitivism ...
Even hammers and saws make a kind of music. ___ Often, these days, I study. on those who carry us. The everyday people who. keep the engine of the world. running. When the darkest skies. move in ...
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...