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A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
Portrait of a Man Rising from His Chair is a painting by the Dutch painter Rembrandt, painted in 1633. [1] It hangs in the Taft Museum of Art of Cincinnati, Ohio, United States. The oil-on-canvas portrait measures 124 by 99 centimetres (49 in × 39 in). [2] It is signed and dated 1633, and there is no doubt of its authenticity.
Portrait of a Man with Arms Akimbo, formerly known as Portrait of a Foreign Admiral or Portrait of a Dutch Admiral, is an oil painting portrait by Rembrandt signed and dated 1658. It is now in the collection of the Agnes Etherington Art Centre at Queen's University in Kingston, Ontario , and measures 107.4 cm by 87.0 cm.
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
A painting valued at $15,000 just two years ago has fetched more than 900 times as much after being identified as the work of Dutch master Rembrandt. A painting valued at $15,000 turned out to be ...
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
The Sacrifice of Isaac (Rembrandt) The Sacrifice of Isaac (Studio of Rembrandt) Saint Bartholomew (Rembrandt) Saint Matthew and the Angel (Rembrandt) Samson and Delilah (Rembrandt) Samson Threatening His Father-In-Law; Saul and David (painting) The Senses (Rembrandt) Simeon in the Temple; Slaughtered Ox; Still Life with Peacocks; The Stone Bridge
In 1993 the artist Russell Connor painted a portrait in the style of Rembrandt showing the Dutch master, palette in hand, standing in front of the incomplete Polish Rider. With a twist of dry irony, Connor attributed the painting to Rembrandt's pupil Carel Fabritius and submitted it to The New Yorker with a joke note saying that the painting ...
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