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We're the Best of Friends is a 1979 duet album by American vocalists Natalie Cole and Peabo Bryson. It was released on November 2, 1979, by Capitol Records . Reception
The first single "Miss You Like Crazy" peaked at number 7 on the US Billboard Hot 100 and topped the Adult Contemporary and Hot R&B Songs charts in 1989. [6]It reached number 2 on the UK Singles Chart, becoming her biggest chart hit single there, and number 13 in the Netherlands. [7]
Natalie Maria Cole (February 6, 1950 – December 31, 2015) was an American singer, songwriter, and actress. She was the daughter of singer and jazz pianist Nat King Cole . She rose to prominence in the mid-1970s, with the release of her debut album Inseparable (1975), along with the song " This Will Be (An Everlasting Love) ", and the album's ...
It should only contain pages that are Natalie Cole songs or lists of Natalie Cole songs, as well as subcategories containing those things (themselves set categories). Topics about Natalie Cole songs in general should be placed in relevant topic categories .
Natalie Cole's version of "Now We're Starting Over Again" (simply titled as "Starting Over Again") was released in late 1989 in the UK and early 1990 in the U.S., being the fifth of five singles released from her 1989 album Good to Be Back, the first of which, "Miss You Like Crazy" (#7 on the Hot 100 / #1 R&B), also a Michael Masser production and co-write, becoming Cole's second major hit ...
Masser reunited with Cole to produce two Goffin co-writes for Cole's 1988 album Good to Be Back including the #1 R&B hit "Miss You Like Crazy" which reached #7 on the Hot 100 (the other track: "Starting Over Again" peaked at #5 on the Adult Contemporary chart where "Miss You Like Crazy" had reached #1). [5] [6] Cole's 1994 Christmas album Holly ...
The Detroit Lions are having special season and they need a freakin’ theme song. Motown would work, or Eminem, but a Michael Jackson hit is perfect. Some musical tweaks would give Detroit Lions ...
"Miss You Like Crazy" was a hit for Cole, becoming her fifth and last top-10 hit on the US Billboard Hot 100 chart when it peaked at number seven. The song topped both the Billboard R&B and Adult Contemporary charts in 1989, as well as reaching number two on the UK Singles Chart, becoming the biggest hit of her career there.