Search results
Results from the WOW.Com Content Network
The paper does not tell that all political cartoons are based on this kind of double standard, but suggests that the double standard thesis in Political Cartoons may be a frequent frame among possible others. [20] A political cartoon commonly draws on two unrelated events and brings them together incongruously for humorous effect.
The media was expected to take sides, not to remain neutral, during World War I.When Wilhelm II declared a state of war in Germany on July 31, the commanders of the army corps (German: Stellvertretende Generalkommandos) took control of the administration, including implementing a policy of press censorship, which was carried out under Walter Nicolai.
The U.S. entered the war in April 1917, which achieved Wellington House's primary objective. The DOI increased its production of war films, but did not know what would play most effectively in the U.S., leading to nearly every British war film being sent to the States thereafter, including The Tanks in Action at the Battle of the Ancre and The Retreat of the Germans at the Battle of Arras ...
This article lists times that items were renamed due to political motivations. Such renamings have generally occurred during conflicts: for example, World War I gave rise to anti-German sentiment among Allied nations, leading to disassociation with German names. An early political cartoon lampooning the name change of hamburger meat during ...
Uncle Sam often personified the United States in political cartoons, such as this one in 1897 about the U.S. annexation of Hawaii. In 1835, Brother Jonathan made a reference to Uncle Sam, implying that they symbolized different things: Brother Jonathan was the country itself, while Uncle Sam was the government and its power. [14]
In honor of the upcoming election on November 8th, (don't forget to cast your vote!) take a break from this election and see how those before us have expressed themselves about issues of the time ...
Art has the power to entertain, inspire, and provoke thought—sometimes all at once. Few artists navigate this balance as effortlessly as Henry James Garrett. Combining charming illustrations ...
Giovanni Giolitti and Liberal Italy from the Challenge of Mass Politics to the Rise of Fascism, 1882–1922 (2001) Dickinson, Frederick R. War and National Reinvention: Japan in the Great War, 1914–1919 (2001) excerpt and text search; Krippner, Monica. The Quality of Mercy: Women at War Serbia 1915–18 (1980) Mitrovic, Andrej.