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Krishna states the thousand names of Shiva to Yudhishthira in the 17th chapter of Anushāsanaparva in the epic Mahabharata. Linga Purana (version 1, LP 1.65.54-168) is close to the Mahabharata Anushasanaparvan version. Linga Purana (version 2, LP 1.98.27-159) has some passages in common with LP version 1, but also with other sources ...
The Hanuman Sahasranama, is a Hanuman stotra told by Valmiki. Its origin is unknown, but it is often attributed to the deity Rama. [21] Tantrikas chant the Bhavani Nāma Sahasra Stuti and the Kali Sahasranāma. While the Vishnu and Shiva Sahasranāmas are popular amongst all Hindus, the Lalita Sahasranama is mostly
The chapter 1.17 of the Linga Purana introduces Linga as Pradhana or Prakriti (cosmic substance), while Shiva is described as Lingin, or one with this "subtle body". [12] Lingam is presented by the text as an abstract concept, the formless reality , contrasted with Alinga (Vyakta), along with its phallic significance with the sexual truth in ...
Swami Chidbhavananda has authored more than a hundred books in Tamil and English. His books address a variety of topics, ranging from deep philosophical enquiry to contemporary social life. He wrote many dramas based on ancient Hindu scriptures that are performed by students. He died in 1985. C. Subramaniam, [4] [5] was his nephew.
The adjective śiva (shiva) in the sense of 'propitious' or 'kind' is first applied to the Rudra in RV 10.92.9. [18] Rudra is called 'the archer' (Sanskrit: Śarva) [19] and the arrow is an essential attribute of Rudra. [20] This name appears in the Shiva Sahasranama, and R. K. Śarmā notes that it is used as a name of Shiva often in later ...
The pañcānana (Sanskrit: पञ्चानन), also called the pañcabrahma, [1] are the five faces of Shiva corresponding to his five activities (pañcakṛtya): creation (sṛṣṭi), preservation (sthithi), destruction (saṃhāra), concealing grace (tirobhāva), and revealing grace (anugraha). [2]
Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise." [ 1 ] [ 2 ] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited.
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