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The original version of the painting had a country landscape in the background, which was removed in a later replica, as it was deemed "non-liturgical". The Hyła rendition is also called the "Kraków Divine Mercy Image" because it is kept in the sanctuary at Kraków-Łagiewniki at the Divine Mercy Sanctuary, Kraków. Many artistic renditions ...
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
Catholic art has played a leading role in the history and development of Western art since at least the 4th century. The principal subject matter of Catholic art has been the life and times of Jesus Christ, along with people associated with him, including his disciples, the saints, and motifs from the Catholic Bible.
An icon (from Ancient Greek εἰκών (eikṓn) 'image, resemblance') is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches.
Holy Infant of Atocha, Santo Niño de Atocha, Holy Child of Atocha, Saint Child of Atocha, or Wise Child of Atocha is a Roman Catholic image of the Christ Child popular among the Hispanic cultures of Spain, Latin America and the southwestern United States. It is distinctly characterized by a basket of bread he carries, along with a staff, and a ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
The retablo has three levels of niches for images of saints. [6] Unlike the elegant rose-colored ceiling, restoration works on the retablo involved repainting, with red and gold. [6] At the central niche is the image of the town's patron saint, Gregory the Great. Located at the right side of the altar is a painting of Michael and the Archangels ...
The establishment of these images as Catholic devotions traces back to Sister Marie of St Peter and the Venerable Leo Dupont who started and promoted them from 1844 to 1874 in Tours France, and Sister Maria Pierina De Micheli who associated the image from the Shroud of Turin with the devotion in 1936 in Milan Italy.