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In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
Adding transepts improved the stability of the log technique and is one reason why the cruciform floor plan was widely used during 1600 and 1700s. For instance the Old Olden Church (1759) replaced a building damaged by hurricane, the 1759 church was then constructed in cruciform shape to make it withstand the strongest winds. [10]
The First Congregational Church of Manistee is a Romanesque Revival structure constructed on a cruciform plan, measuring 128 feet by 74 feet. The church has a stone foundation, solid masonry walls clad with red brick, and a black slate roof. The facade is substantially unadorned, and contains a massive arched stone entrance.
St. Mary's Cathedral, Sydney has a typical cruciform plan. The main body of the building, making the longer arm of the cross, is called the nave, and is where worshipers congregate; the term is from the Latin word for ship. The cathedral is symbolically a ship bearing the people of God through the storms of life. [13]
Cathedral floor plan (crossing is shaded) A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.
A martyrium or martyrion (pl.: martyria), sometimes anglicized martyry (pl.: "martyries"), is a church or shrine built over the tomb of a Christian martyr. It is associated with a specific architectural form, centered on a central element and thus built on a central plan, that is, of a circular or sometimes octagonal or cruciform shape.
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Such cruciform churches were very common in the West during the Romanesque period. [2] The ideal church plan tended to be symmetrical around a central point during the Renaissance. [10] The longer arm of the Latin cross plan is the nave, which runs on an east–west axis and traditionally contains aisles or chapels.