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These calendar woodblock prints were surimono, privately commissioned and published works not intended for the general public but used within private circles. Eventually, the same pictures reached the public market: the calendar information was carved off the wooden blocks, which were then reprinted and sold. [3]
Details about the woodblock prints of Toyohara Chikanobu are provided below in a specific format: (1) the transliterated title employing Wiki-romanization criteria; (2) the title (enclosed in parentheses) of the work reproduced using the kanji and hiragana found in the title cartouche;
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a ...
Hokusai had achievements in various fields as an artist. He made designs for book illustrations and woodblock prints, sketches, and painting for over 70 years. [37] Hokusai was an early experimenter with western linear perspective among Japanese artists. [38] Hokusai himself was influenced by Sesshū Tōyō and other styles of Chinese painting ...
Two girls, c. 1750. Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 8 July 1770) was a Japanese designer of woodblock print art in the ukiyo-e style. He was an innovator, the first to produce full-color prints in 1765, rendering obsolete the former modes of two- and three-color prints.
A Mongolian calendar dated to 1324 with printed Uyghur text was discovered in Turfan. [50] It is speculated that printing was spread further west by Uyghurs under the Mongol Empire. A large number of Uyghurs were recruited by the Mongol army and Uyghur culture played an important role in the empire.
Kobayashi Kiyochika (小林 清親, 10 September 1847 – 28 November 1915) was a Japanese ukiyo-e artist, best known for his colour woodblock prints and newspaper illustrations. His work documents the rapid modernization and Westernization Japan underwent during the Meiji period (1868–1912) and employs a sense of light and shade called ...
Kuchi-e (口絵); frontispieces of books, especially woodblock printed frontispieces for Japanese romance novels and literary magazines published from the 1890s to the 1910s Mameban ( 豆判 ) ; a print size about 4.75 by 3.2 inches (12.1 cm × 8.1 cm), sometimes called a "toy print"
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