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The "Duetto buffo di due gatti" (humorous duet for two cats) is a performance piece for two sopranos and piano. Oft performed as a comical concert encore, it consists entirely of the repeated word miau ("meow") sung by the singers. It is sometimes performed by a soprano and a tenor, or a soprano and a bass.
Almost Angels (also known in some foreign markets as Born to Sing) is a 1962 American comedy-drama film about a group of boys in the Vienna Boys' Choir.The film centers around the chorister's recruitment process, the rehearsals and the life in the institution as well.
Wareing plays a young man who joins a boys' choir; Winger plays the principal of the boys' school in Odessa, Texas; Izzard, replacing Alfred Molina, played Drake, the choir master's right-hand at the school; Lucas plays the boy's estranged father. McHale portrayed a young music teacher who champions the boy and West, Alexander and Venable play ...
Rossini as a young man, c. 1810–1815. Gioachino [n 1] Antonio Rossini [n 2] (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from ...
Concerto per fagotto ed orchestra (1845, attributed to Rossini, authenticity questionable) [1] Scherzo (1843) Tema originale di Rossini variato per violino da Giovacchino Giovacchini (1845) Marcia (1852) Thème de Rossini suivi de deux variations et coda par Moscheles père (1860) La corona d'Italia (1868)
Marie-Thérèse Gauley sang the part of the child at both the premiere in Monte-Carlo and the first performance at the Opéra-Comique on 1 February 1926. The original cast also included Henri Fabert as Vieillard Arithmétique, Warnerey as the clock and cat, [3] while at the Opéra-Comique, conducted by Albert Wolff and with choreography by Louise Virard, the cast included Germaine Féraldy ...
Tancredi arrives triumphant and the people rejoice. However, as sweet as victory may be, he resolves to leave Sicily and, as Amenaide approaches him, he still believes that she has been unfaithful and is unwilling to talk to her. In a duet, they express their conflicting emotions: Duet: Lasciami: non t'ascolto / "Let me go; I will not listen to ...
William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend.