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Roland marketed it as an affordable alternative to the Linn LM-1, manufactured by Linn Electronics, which used samples of real drum kits. [10] The 808 sounded simplistic and synthetic by comparison; electronic music had yet to become mainstream and many musicians and producers wanted realistic-sounding drum machines.
The 909 was the first Roland drum machine to use samples, for its crash, ride and hi-hat sounds. [5] Hoshiai sampled his own kit for the cymbals, using a mismatched pair of Paiste and Zildjian hi-hat cymbals. [4] He sampled them in 6-bit and edited the waveform on a computer with a CP/M-80 operating system. [4]
His kit consisted of two snares (5x12 and the main snare, his 5.5x14 "Signature" model – Yamaha SD-2455JC), six toms (12x14, 8x10, 9x13, and an 8x8 above his floor toms which are 16x16 and 16x18), a 16x22 bass drum. Around 2000, as seen in "The Everlasting Gaze" video from "Machines of God" album, he switched from Sabian to Zildjian cymbals.
Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s. [1]The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively.
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop ...
Breakbeat hardcore (also referred to as hardcore rave, oldskool hardcore or simply hardcore) is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop.
Prior to starting Drum!, Andy Doerschuk was the founding editor of Drums & Drumming Magazine, a short-lived publication that was part of GPI/Miller Freeman, the publishers of Guitar Player, Bass Player and other magazines in the late '80s and early '90s. Phil Hood also worked at GPI and was the publisher of Drums & Drumming and EQ magazines.
Early drum kits consisted of a bass drum, a snare, a stand, a cymbal, and sometimes a small tom-tom. The company grew to two factories, ending up in West London's Park Royal. By 1938 they were also producing brass instruments, as well as supplying drums to the armed forces. The company even built a guitar called "Premier Vox", in the early 1930s.