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Damages is an American legal thriller television series created by writing and production trio Daniel Zelman, Glenn Kessler, and Todd A. Kessler.It premiered on July 24, 2007, on FX and aired for three seasons before moving to the DirecTV channel Audience Network in 2010, airing for two further seasons, and concluding in 2012.
Damages was created by brothers Todd and Glenn Kessler along with Daniel Zelman, each of whom served as executive producers and contributed seven scripts for the season, including the premiere and the finale. The second season, like the first, follows two different timelines. The primary timeline follows Patty, Ellen, and Tom as the firm goes ...
Though the season earned mostly positive reviews from television critics, it continued to struggle in the ratings; soon after the season finale, FX announced it had canceled Damages due to low ratings. [1] However, the series was eventually picked up by DirecTV for two additional seasons, which began airing the fourth season on July 13, 2011. [2]
The fifth-season premiere received positive reviews from television critics, and earned a 79 out of 100 based on 8 reviews on the aggregate review website Metacritic. [10] On Rotten Tomatoes , the season has an approval rating of 85% with an average score of 7.4 out of 10 based on 13 reviews.
The first season of the FX legal drama series Damages premiered on July 24, 2007, and concluded on October 23, 2007. It consisted of thirteen episodes. Damages was created by brothers Todd and Glenn Kessler along with Daniel Zelman, each of whom served as executive producers and contributed seven scripts for the season, including the premiere and the finale.
"There's Only One Way to Try a Case" is the first episode of the fourth season of the DirecTV legal drama series Damages and the show's fortieth episode overall. It was written by creators and executive producers Todd A. Kessler, Glenn Kessler and Daniel Zelman and directed by Todd A. Kessler.
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The creators of Damages pitched the project to The FX channel, lured by the network's pedigree of having complex, "antisocial" and "twisted" protagonists in their shows. [7] They envisioned a relationship between a mentor and a protégée as the core of the series' concept, with an emphasis on the "female power" in today's modern and dynamic world.