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William George Moore (April 23, 1931 – November 6, 2002 [1]) was a musician and composer from Georgetown, Guyana. Moore had been one of the lead vocalists in the male group The Four Lords. [ 2 ] He died in destitution in 2002 at the Georgetown Public Hospital .
William Moore Jr. (December 7, 1917, Parkersburg, West Virginia — February 28, 1989, Copenhagen) was an American jazz pianist and arranger. Moore was chiefly known as an arranger for most of his jazz career, writing charts for Jimmie Lunceford , Charlie Barnet , Jan Savitt , and Tommy Dorsey in the 1940s.
The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:
Billy Moore (musician, born 1931) (1931–2002), Guyana Caribbean musician Wild Bill Moore (1918–1983), tenor saxophone player Expos William Moore (critic) (1868–1937), Australian art critic and author
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Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
All or Nothing at All is a studio album by Billie Holiday, released in 1958 on Verve Records, catalog MGV8329. [4] There are 12 songs on the LP taken from five different recording sessions that took place in 1956 and 1957. [ 5 ]
Frank Sinatra's August 31, 1939 [5] recording of the song, accompanied by Harry James and his Orchestra was a huge hit in 1943, when it was reissued by Columbia Records during the 1942-44 musicians' strike. [6]