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Toda embroidery, also locally known as "pukhoor", [1] is an art work among the Toda pastoral people of Nilgiris, in Tamil Nadu, made exclusively by their women. [1] The embroidery, which has a fine finish, appears like a woven cloth [2] but is made with use of red and black threads with a white cotton cloth background.
The motifs sewn on the quilt represented sun and cloud, indicative of life-giving forces, fertility symbols, sacred animals, and mythical animals to protect against evil forces, and to attract blessings from the gods. Use of different shades of threads symbolized life's forces such as red, symbolic of blood and yellow denoting the sun.
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
Traditional Assamese paintings have been influenced by the motifs and designs in the medieval works such as the Chitra Bhagawata. There are several renowned contemporary painters in Assam. The Guwahati Art College in Guwahati is one of the government institution for tertiary education. The Department of Visual Arts Assam University (Central ...
The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
The Indian modern artist, Nandalal Bose, frequently drew from alpanas and their traditional motifs in his art, especially floral motifs such as the autumn flower. [16] [4] Abanindranath Tagore, the painter and writer, wrote a study of alpanas in his book, Banglar Broto, and compared their motifs to hieroglyphs. [14] The film-maker, Satyajit Ray ...
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
The art is practised on floors and walls, and the practice is often passed from mother to daughter. [2] The art is much more pronounced and attached to Meena community of Hadoti area. The ground is prepared with cow dung mixed with rati, a local clay, and red ochre. Lime or chalk powder is used for making the motif. Tools employed are a piece ...
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