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Italian Renaissance sculpture rightly regarded the standing statue as the key form of Roman art, and there was a great revival of statues of both religious and secular figures, to which most of the leading figures contributed, led by Donatello and Michelangelo. The equestrian statue, a great technical challenge, was mastered again, and ...
Open air Buddhist rock reliefs at the Longmen Grottoes, China. A distinction exists between sculpture "in the round", free-standing sculpture such as statues, not attached except possibly at the base to any other surface, and the various types of relief, which are at least partly attached to a background surface.
These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 metres tall. Archaic Greek sculptors seem to have been influenced stylistically by the Egyptians, although divergences appeared early on.
Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance, and the first freestanding nude male sculpture made since antiquity. It depicts David with an enigmatic smile, posed with his foot on Goliath 's severed head just after defeating the giant.
Kouros (Ancient Greek: κοῦρος, pronounced, plural kouroi) is the modern term [a] given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia , with a less frequent presence in many other Ancient Greek territories such as Sicily.
The sculpture can be either freestanding or relief sculpture, in which case it is attached to the back wall of the pediment. Harris in The Illustrated Dictionary of Historic Architecture defines pediment as "In classical architecture, the triangular gable end of the roof above the horizontal cornice, often filled with sculpture." Pediments can ...
S-curve (art) Contrapposto (Italian pronunciation: [kontrapˈposto]) is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane.
The Greek goddesses were initially sculpted with drapery rather than nude. The first free-standing, life-sized sculpture of an entirely nude woman was the Aphrodite of Cnidus created c. 360 –340 BCE by Praxiteles. [24] The female nude became much more common in the later Hellenistic period.