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Later some blue and white stoneware was also made. The historical production therefore all falls under the Joseon dynasty, 1392–1897. In vases, the typical wide shoulders of the shapes preferred in Korea allowed for expansive painting. Dragon and flowering branches were among the popular subjects.
It made them the earliest-dated blue-and-white porcelains known at the time of their acquisition, although blue-and-white porcelains are likely to have been made earlier. The vases are named after Sir Percival David who collected the vases from two different sources, and form part of the collection of the Percival David Foundation of Chinese ...
It is uncertain when Bristol blue glass was first made but the quality and beauty of the glass swiftly gained popularity, with seventeen glass houses being set up in the city. [3] Lazarus and Isaac Jacobs were the most famous makers of Bristol blue glass in the 1780s. Lazarus Jacobs was a Jewish immigrant to Bristol from Frankfurt am Main, Germany.
The blue decoration is painted onto the body of the porcelain before glazing, using very finely ground cobalt oxide mixed with water. After the decoration has been applied the pieces are glazed and fired. It is believed that underglaze blue and white porcelain was first made in the Tang dynasty.
The bulk export wares of the 18th century were typically teawares and dinner services, often blue and white decorated with flowers, pine, prunus, bamboo or with pagoda landscapes, a style that inspired the willow pattern. [26] They were sometimes clobbered (enamelled) in the Netherlands and England to enhance their decorative appeal. [27]
Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze. [4] Egyptian potters crafted relief vases, chalices, and bowls. Many items depicted reeds, lotuses, rivers, aquatic animals, and people, likely due to the glaze's blue-green coloration being associated with water ...
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Some transfer-printed wares, both overglaze and underglaze, were made as well as polychrome overglaze "enamelled" decorated pieces. Liverpool porcelain is characterized by foot-rims vertical or undercut on the inner surface; flat bases to mugs; areas of blue ground marbled in gold; a blued glaze giving a 'thundercloud' effect where thick under ...
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