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The Hot Dance Club Songs was first published in 1976, ranking the most popular songs on dance club based on reports from a national sample of club DJs. The Dance/Mix Show Airplay was first published in 2003, ranking the songs based on dance radio airplay and mix-show plays on top 40 radio and select rhythmic radio as measured by Mediabase.
Lyrically, the song finds Alexander searching for a "love-em-and-leave-em dreamboat he's not ready to forget, as lush disco flourishes coat his sensual, aching croon". [2] Commercially, the song debuted at 94 on the UK Singles Chart , later peaking at 26, becoming the highest-charting single from Night Call .
The UK Dance Singles Chart is a weekly music chart compiled in the United Kingdom by the Official Charts Company (OCC) from sales of songs in the dance music genre (house, drum and bass, dubstep, etc.) in record stores and digital downloads. The chart week runs from Friday to Thursday with the chart-date given as the following Thursday. [1]
The most common use of the term "ballad" in modern pop and R&B music is for an emotional song about romance, breakup and/or longing. [22] The singer would usually lament an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the ...
B. Babble (band) Baby D (dance group) Backyard Dog; Bananarama; A Band Called O; Barndance Boys; Basement Jaxx; Batu (group) The Bays (band) Beats International
It served as a 7-inch single [re-mix] on the B-side of "Best Mix of Our Lives" and as a 12-inch single [re-mix] on the B-side of the 12-inch version of "Best Mix...". The original B-side, "We've Got Them Running (The Counting Song)", was taken from the Modern Romance debut studio album Adventures in Clubland and features the lead vocals of ...
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"Secret Rendezvous" is the fourth single from American singer Karyn White's 1988 self-titled debut studio album. The song was written by Kenneth "Babyface" Edmonds, Antonio "L.A." Reid and Daryl Simmons, and produced by Reid and Babyface, who were at the peak of their success at the time as a songwriting and production team.