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In Road to Xanadu (1927), a book length study of The Rime of the Ancient Mariner and "Kubla Khan", John Livingston Lowes said that the poems were "two of the most remarkable poems in English". [108] When turning to the background of the works, he argued, "Coleridge as Coleridge, be it said at once, is a secondary moment to our purpose; it is ...
The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium -induced haze), but was interrupted by this visitor who came "on business from Porlock " while in the ...
Besides The Rime of the Ancient Mariner, Coleridge composed the symbolic poem Kubla Khan, written—Coleridge claimed—as a result of an opium dream, in "a kind of a reverie"; and the first part of the narrative poem Christabel. The writing of Kubla Khan, written about the Mongol emperor Kublai Khan and his legendary palace at Xanadu, was said ...
Thematically the poem is one of Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented Kubla Khan which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four ...
Kubla Khan: Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816 Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, July 30 Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
The reported splendour of Xanadu later inspired Samuel Taylor Coleridge to write his great poem Kubla Khan and caused Xanadu to become a metaphor for opulence. Xanadu is remembered today largely thanks to this poem, which contains the following often quoted lines: (poem) Coleridge used artistic license with his poem, and few aspects of the ...
Generally, the essay introduces three of Poe's theories regarding literature. The author recounts this idealized process by which he says he wrote his most famous poem, "The Raven", to illustrate the theory, which is in deliberate contrast to the "spontaneous creation" explanation put forth, for example, by Coleridge as an explanation for his poem Kubla Khan.
The sleep of this story is said by Coleridge to be a sleep of opium, and Kubla Khan may be read as an early poetic description of this drug experience. The fact that the poem is generally regarded as one of Coleridge's best is one reason for the continuing interest and debate about the opium's role in his creative output and in Romanticism in ...