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The Sonochrome line featured films tinted in seventeen different colors including Peachblow, Inferno, Candle Flame, Sunshine, Purple Haze, Firelight, Azure, Nocturne, Verdante, Aquagreen, [6] Caprice, Fleur de Lis, Rose Doree, and the neutral-density Argent, which kept the screen from becoming excessively bright when switching to a black-and ...
The plays had already been adapted for film once before as Good and Naughty (1926) with Pola Negri. Night scenes in this film were intended to be seen in blue tint. Tinting is used on the restored 2011 single DVD version released by Turner Classic Movies. However, tinting was absent from recent prints prior to restoration.
Film tinting is the process of adding color to black-and-white film, usually by means of soaking the film in dye and staining the film emulsion. The effect is that all of the light shining through is filtered, so that what would be white light becomes light of some color.
When shooting day for night, the scene is typically underexposed in-camera or darkened during post-production, with a blue tint added. Additional effects are often used to heighten the impression of night. As the light sensitivity of film and video cameras has improved, shooting day for night has become less common in recent years. [2]
Columbia Pictures (American Film Technologies) [284] Hearts Are Thumps: 1937: 1994: RHI Entertainment, Inc. [285] Hell Below Zero: 1954: 1992: Columbia Pictures (American Film Technologies) [286] Hellcats of the Navy: 1957: 1991: Columbia Pictures (American Film Technologies) [287] Hell's Horizon: 1955: 1992: Columbia Pictures (American Film ...
As a bipack color process, the photographer loaded a standard camera with two film stocks: an orthochromatic strip dyed orange-red and a panchromatic strip behind it. The orthochromatic film stock recorded only blue and green, and its orange-red dye (analogous to a Wratten 23-A filter) filtered out everything but orange and red light to the panchromatic film stock.
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Some tints and shades of blue. In color theory, a tint is a mixture of a color with white, which increases lightness, while a shade is a mixture with black, which increases darkness. Both processes affect the resulting color mixture's relative saturation. A tone is produced either by mixing a color with gray, or by both tinting and shading. [1]
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