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After a transition period centered around 1994–2006, color film was relegated to a niche market by inexpensive multi-megapixel digital cameras that can shoot both in monochrome as well as color. Some photographers continue to prefer film for its distinctive "look" for artistic purposes or out of fondness.
Still from test film made by Edward Turner in 1902, as secret technology. Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
Lenticular (additive): a black-and-white film which has been embossed on its base side with hundreds or thousands of tiny lenses is used for the original photography, base side forward and in conjunction with a segmented multicolored filter on the camera lens. As in mosaic processes, the result is an array of adjacent microscopic black-and ...
"Color film" in the modern sense of a subtractive color product with a multi-layered emulsion was born with the introduction of Kodachrome for home movies in 1935 and as lengths of 35 mm film for still cameras in 1936; however, it required a complex development process, with multiple dyeing steps as each color layer was processed separately.
Previously, motion picture studios used a second camera alongside the primary camera to create a duplicate negative. 1932 "Flowers and Trees", the first full-color cartoon, is made in Technicolor by Disney. Kodak introduces the first 8 mm amateur motion picture film, cameras, and projectors. [16]
Kodachrome K135 20 Color Reversal film Kodachrome II – film for color slides; the 35 millimeter still photography format is shown above. Kodachrome was the first color film to be successfully mass-marketed that used a subtractive color method. Previous materials, such as Autochrome and Dufaycolor, had used the additive screenplate methods ...
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