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A brand new 'Bri-Nylon' fabric was introduced by the British Nylon Spinners. This fabric was popular fabric to be applied on intimate apparel in the 1950s because it was one of the first easy-to-launder and drip-dry fabric. There was a full corset advertisement in 1959 shows the popularity of 'Bri-Nylon' and the design of the corselet in the 1950s.
“The 1950s fashion embraced femininity with A-line dresses, matching sets, puffy skirts, and romantic details like softer shoulders, lace, and delicate patterns,” says Tali Kogan, a personal ...
Brightly colored clothes and accessories became fashionable in the 1950s and the bikini was developed. The main article for this category is 1945–1960 in Western fashion . See also: Category:1950s clothing
Bryant, Nancy O. "The interrelationship between decorative and structural design in Madeleine Vionnet's Work", Costume 1991, V 25, pp. 73–88; Hawes, Elizabeth: Fashion is Spinach, New York: Random House, 1938; Hunt, Marsha: The Way We Wore: Styles of the 1930s and '40s and Our World Since Then, Fallbrook Pub. Ltd., 1993, ISBN 1-882747-00-3
Fashion during the 1940s — clothing designed and/or popular in the 1940s. Also fashion designers and clothing companies active during the decade. The main articles for this category are 1930–1945 in Western fashion and 1945–1960 in Western fashion .
In addition, the Native American roots of the design made the dresses seem like uniquely "American" clothing items. [1] The dress also became synonymous with the Southwest. [13] The squaw dress started out as a trend in the American Southwest in the 1940s and went nationwide in the 1950s. [21]
During the 1950s, the wealthy and clean cut Squares, Rahs and Socs (Soc being short for social) with their Ivy League clothes were the rivals to the working class Greaser subculture. [13] The conflict between the two groups features in Grease , The Outsiders , [ 14 ] Indiana Jones and the Kingdom of the Crystal Skull , and Cry-Baby . [ 15 ]
Mary Lillian White later Mary Dening (22 January 1930 – 20 May 2020) was an English textile designer known for several iconic textile prints of the 1950s. [1] [2] Her designs were very popular and extensively copied in many 1950s homes, as well as in cabins aboard the RMS Queen Mary and at Heathrow Airport. [3]
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