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Pieter Brueghel the Younger by Anthony van Dyck. Pieter Brueghel (also Bruegel or Breughel) [a] the Younger (/ ˈ b r ɔɪ ɡ əl / BROY-gəl, [2] [3] also US: / ˈ b r uː ɡ əl / BROO-gəl; [4] [5] Dutch: [ˈpitər ˈbrøːɣəl] ⓘ; between 23 May and 10 October 1564 – 1637/38) was a Flemish painter known for numerous copies after his father Pieter Bruegel the Elder's work, as well as ...
Copy by Pieter Brueghel the Younger, Brukenthal Museum, Sibiu, Romania, with the children included. The painting depicts an event described in the Gospel of Saint Matthew 2:16-18 in the New Testament of the Bible: after King Herod was told by the Magi of the birth of Jesus in Bethlehem, he ordered his soldiers to kill all of the infant children in Bethlehem below the age of 2 years.
Pieter Brueghel the Younger's dated copies range between 1601 and 1626. [12] Since 2000 the discussion has continued and possibly this painting employs motifs from some earlier lost original by Bruegel's younger son Jan Brueghel the Elder, along the lines of The Hunters in the Snow. [13] This view has not attracted support in subsequent ...
It was Bruegel's second painting of the subject. [4] Copy by Pieter Brueghel the Younger, Museo Correr, Venice. At 35 cm × 55 cm (14 in × 22 in) it is considerably smaller than most of Bruegel's other examples of "the crowded, high-angle, small-figure compositions of his middle years", [5] mostly with crowds of figures in a village setting ...
David Teniers the Younger, The Painter and His Family, c. 1645, now in the Gemäldegalerie, Berlin. The Brueghel family (/ ˈ b r ɔɪ ɡ əl / BROY-gəl, [1] [2] US also / ˈ b r uː ɡ əl / BROO-gəl, [3] [4] Dutch: [ˈbrøːɣəl] ⓘ), also spelled Bruegel or Breughel, is an extended family of Dutch and Flemish painters which played a major role in the development of the art in Brabant ...
Pieter Bruegel (also Brueghel or Breughel) the Elder (/ ˈ b r ɔɪ ɡ əl / BROY-gəl, [2] [3] [4] US also / ˈ b r uː ɡ əl / BROO-gəl; [5] [6] Dutch: [ˈpitər ˈbrøːɣəl] ⓘ; c. 1525–1530 – 9 September 1569) was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre ...
Bruegel's son Pieter Brueghel the Younger painted a larger copy in c. 1616 [19] with extra details, including a flock of sheep, that hangs in the Louvre; [7] this copy was in the collection of Ferdinando Gonzaga, Duke of Mantua, patron of Italian Baroque painter Domenico Fetti, who may have been influenced by the painting when he executed his ...
Bruegel depicts the woman as one of the few graceful figures in the scene. She is rendered as an idealised form, atypical of Brugel's usual earthy and homely female figures; [3] though the basic layout of the composition is Netherlandish, "the austere composition and monumental figures are perhaps the most Italianate in all Bruegel's paintings". [4]