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The Jutaku phenomenon rose in the 1990s as Japan's real estate sites grew increasingly smaller, both from the Japanese inheritance system and the island's growing population. [ 2 ] [ 1 ] According to the architect Kengo Kuma , the first traces of Jutaku appear in the writings of the poet Kamo no Chōmei and the description of his own small house.
In Japanese architecture, fusuma are vertical rectangular panels which can slide from side to side to redefine spaces within a room, or act as doors. [1] They typically measure about 90 cm (2 ft 11 in) wide by 180 cm (5 ft 11 in) tall, the same size as a tatami mat, and are 2–3 cm (0.79–1.18 in) thick.
Courtiers around a tsubo-niwa, illustration from The Tale of Genji, Heian period (c. 1130). Tsubo-niwa were originally found in the interior courtyards of Heian period palaces, designed to give a glimpse of nature and some privacy to the residents of the rear side of the building.
Since the 19th century, however, Japan has incorporated much of Western, modern, and post-modern architecture into construction and design, and is today a leader in cutting-edge architectural design and technology. The earliest Japanese architecture was seen in prehistoric times in simple pit-houses and stores adapted to the needs of a hunter ...
Washitsu also usually have sliding doors , rather than hinged doors between rooms. They may have shōji and, if the particular room is meant to serve as a reception room for guests, it may have a tokonoma (alcove for decorative items). Traditionally, most rooms in a Japanese dwelling were in washitsu style.
' living room '), composed of divided rooms with raised timber floors and tatami mats coverings. Machiya would also feature a doma (土間) or tōriniwa (通り庭), an unfloored earthen service space that contained the kitchen, also serving as the passage to the rear of the plot, where storehouses known as kura (倉/蔵) would be found.
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In the Azuchi-Momoyama period not only sukiya style but the contrasting shoin-zukuri (書院造) of residences of the warrior class developed. While sukiya was a small space, simple and austere, shoin-zukuri style was that of large, magnificent reception areas, the setting for the pomp and ceremony of the feudal lords.
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