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An illustration of the fable of Hercules and the Wagoner by Walter Crane in the limerick collection "Baby's Own Aesop" (1887). The standard form of a limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyming with each other, but having only two feet of three ...
Poems written by Filipino poets, regardless of language. Pages in category "Filipino poems" The following 9 pages are in this category, out of 9 total.
Depiction of Lam-Ang, the protagonist of Biag ni Lam-Ang, an Ilocano epic.. Philippine epic poetry is the body of epic poetry in Philippine literature.Filipino epic poetry is considered to be the highest point of development for Philippine folk literature, encompassing narratives that recount the adventures of tribal heroes.
Merlie M. Alunan was born December 14, 1943, in Dingle, Iloilo.Alunan graduated from Silliman University with an MA in creative writing in 1974. She taught Literature and Creative Writing at the University of the Philippines Visayas Tacloban College. [1]
Trinidad Tarrosa-Subido (14 June 1912 – 7 February 1994 [1]) was a Filipina linguist, writer, and poet who wrote of the Filipino woman’s experience using the English language [2] during and after the American colonial period in the Philippines.
Magdalena Gonzaga Jalandoni (May 27, 1891, in Jaro, Iloilo – September 14, 1978, in Jaro) [1] was a Filipino novelist, playwright, short story writer, poet, sculptor and painter. She is now remembered as one of the most prolific Filipino writers in the Hiligaynon language. Hailing from Western Visayas, her works are said to have left ...
Biag ni Lam-ang (lit. ' The Life of Lam-ang ') is an epic story of the Ilocano people from the Ilocos region of the Philippines.It is notable for being the first Philippine folk epic to be recorded in written form, and was one of only two folk epics documented during the Philippines' Spanish Colonial period, along with the Bicolano epic of Handiong.
She has written many essays on women's poetry, several of them finding their place in various anthologies. She served as editor of a special issue of Ani in 1998 that featured writings and art work by Filipino women. She also edited the book on place and memory of her home-island called "The Bohol We Love: Memoirs of Growing Up Boholano."