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Early symbols similar to the Chi Rho were the Staurogram and the IX monogram (). In pre-Christian times, the Chi-Rho symbol was also used to mark a particularly valuable or relevant passage in the margin of a page, abbreviating chrēston (good). [3] Some coins of Ptolemy III Euergetes (r. 246–222 BC) were marked with a Chi-Rho. [4]
12th-century seal of Stefan of Uppsala is enclosed in a vesica piscis. Seals in use outside the Church, such as this Knights Templar Seal, were circular.. Heraldry developed in medieval Europe from the late 11th century, originally as a system of personal badges of the warrior classes, which served, among other purposes, as identification on the battlefield.
Vatican heraldry refers to the heraldry in the Vatican City State.These include the coat of arms of Vatican City and the papal coats of arms.The heraldry of the Vatican also rules the arms and heraldic insignia of Roman Catholic priests, dioceses and abbeys around the world.
The earliest blazoning of the arms of the Holy See is that found in Froissart's Chronicles of 1353, which describes them as "gules two keys in saltire argent". [12] From the beginning of the 14th century, the arms of the Holy See had shown this arrangement of two crossed keys, most often with a gold key in bend and a silver in bend sinister, but sometimes with both keys or (gold), less often ...
Arms of Innocent VIII (Giovanni Battista Cybo, 1484–1492) as shown in the contemporary Wernigerode Armorial.The coat of arms of the House of Cybo is here shown with the papal tiara and two keys argent in one of the earliest examples of these external ornaments of a papal coat of arms (Pope Nicholas V in 1447 was the first to adopt two silver keys as the charges of his adopted coat of arms).
Emblem of the Holy See.The crossed keys symbolise the Keys of Peter.The keys are gold and silver to represent the power of loosing and binding. The triple crown (the tiara) symbolizes the triple power of the Pope as "father of kings", "governor of the world" and "Vicar of Christ". [1]
The keys of heaven or keys of Saint Peter are seen as a symbol of papal authority and are seen on papal coats of arms (those of individual popes) and those of the Holy See and Vatican City State: "Behold he [Peter] received the keys of the kingdom of heaven, the power of binding and loosing is committed to him, the care of the whole Church and ...
Each saint is said to have led an exemplary life and symbols have been used to tell these stories throughout the history of the Church. [2] A number of Christian saints are traditionally represented by a symbol or iconic motif associated with their life, termed an attribute or emblem, in order to identify them.
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